OTOBONG NKANGA, Open Ateliers Rijksakademie, 2002
21 x 14,8 cm
offset, exhibition card
published by Rijksakademie, Amsterdam
inv.ONk 000-pr
Residents who participated in Open Ateliers 2002: Marc Bauer, Erick Beltran, Martha Colburn, Charlotte Dumas, Ryan Gander, Jill Magid, Otobong Nkanga, a.o.
JILL MAGID, Open Ateliers Rijksakademie, 2002
21 x 14,8 cm
offset, exhibition card
published by Rijksakademie, Amsterdam
inv.JM 000-pr
Residents who participated in Open Ateliers 2002: Marc Bauer, Erick Beltran, Martha Colburn, Charlotte Dumas, Ryan Gander, Jill Magid, Otobong Nkanga, a.o.
JILL MAGID, Bring back The Glam, 2002
29,7 x 21 cm
digital colour print
very rare
published by the artist
inv.JM 000-pr
This poster refers to an action Jill Magid called “Rhinestoning Headquarters”. She managed to get a permission to ornament four exterior surveillance cameras in police colours at the Headquarters of Police in Amsterdam, 2002.
System Azure Security Ornamentation is my company I invented in order to convince the Amsterdam Police Department to hire me on, as Head Security Ornamentation Professional, to ornament it’s publicly displayed surveillance cameras. Rhinestoned covered cams are permanent on the police building. Jill Magid
Added related information:
JILL MAGID, Rhinestoning Headquarters, 2002
ca 8 x 12 cm
digital colour print
flyer with announcement of performance on Friday 13 September 1 – 5 pm.
inv.JM 000-pr
SYLVIE FLEURY, Vital perfection, 1991
15,5 x 13 cm
SC, stapled, 12 pp., including inlay
mint
published by Galerie Philomene Magers, Bonn, Germany
extremely rare in this condition
€ 420,- plus € 12,- Track & Trace registered mail
inv.SF 525-pr
This is the first catalogue of works by Sylvie Fleury. Shopping bag installation “It’s Clinique Bonus Time’ (1991) has been installed by her for a second time at Galerie van Gelder in Amsterdam in 1992. She added some bags to it, including the shoppings from where she got the paper bags from in Beverly Hills, Los Angeles, USA.
For some reason it is rarely mentioned that Fleury’s paper bag installations contain original shoppings of Sylvie Fleury. At the time she installed the piece she doubted to take her shoppings with her back home, since all these cloths were personal belongings that fitted her.
Apparently the list of exhibition venues in the biography was added to this publication after it was printed in 1991, since it states shows done in 1992. Or the publisher anticipated on the scheduled solo exhibition at Galerie van Gelder in Amsterdam and a group exhibition at Galerie Gilbert Brownestone in Paris.
SYLVIE FLEURY, Formule One Dress, 1999
10,8 x 15,3 xcm
post card, offset
published by Hugo Boss, Metzingen, Germany
mint
€ 25,- plus € 8,- Track & Trace registered EU mail
inv.SF 466-pr
On behalf of edition One Formula Dress this post card was issued showing Sylvie Fleury with Formula One car driver Mika Häkkinen who became World Champion in 1998.
MIKE KELLEY, invite Replay: la sphere punk, 2006
21 x 8,5 cm
print on card
condition: splendid
published by Magasin-CNAC. Grenoble, France
inv.MKel 362-pr
verso:
CLAUDE CLOSKY, Concrete Poetry, 2021
18 x 11 cm
artist’s book, SC, 40 pp.
edition 300
condition: splendid
published by RRose Editions, La Rochelle, France
inv.CCl 000
CLAUDE CLOSKY, Invisible Books, 2022
set of 5 postcards, cellofan envelope
edition 250
mint
published by Edition Taube, Munich-Zurich
For purchase see:
Taube Books – Claude Closky
inv.CCl 000
This set of 5 postcards in transparent envelope shows and describes five kinds of books: Unseeable Books, Imperceptible Books, Invisible Books, Ethereal Books and Undetectable Books. None of these categories is present in the depicted book cases. Claude Closky imagined to have them filled with these five kinds of books as a kind of wish to show the “unmanifested” among the incessant flow of images that surrounds us.
ELVIRE BONDUELLE, Maison Voiture Chien, 2019
22 x 16,3 cm
artist’s book, SC, 240 pp.
edition 200
mint
published by Bandini Books, Paris, France
inv.EB 000
OLIVIER MOSSET, Sans titre, 1995
35 × 35 cm
etching
signed, numbered
edition 150 + 5 HC
published by CEC / Centre d’Edition Contemporaine, Geneva, Switzerland
inv.OM 000
This circle within a circle was etched on a square copper plate. Its blind imprint is barely noticeable since there are no scratches in the non-engraved parts that is so characteristic for common etchings.
The edition was offered to members of the Centre Genevois de Gravure Contemporaine Association in 1995.