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....the real avant-garde is in the head.

DAVID HORVITZ, Write a letter to the moon, 2019 [2 postcards]

DAVID HORVITZ, Write a letter to the moon, 2019
11,4 x 16,2 cm
2 postcards, FR stamp / US stamp, 2 orange envelopes
published by Jean Boîte Éditions, Paris, France
mint
inv.DHor 552-pr

For purchase see Jean Boîte Éditions David Horvitz

The works of David Horvitz relate often to notions of nature such as the ocean, the sea, beach, rain or sky. Not seldom his text works call to action suggesting that mankind is loosing contact with nature. A touch of nostalgia is never far away.

History of prices:
Jean Boîte Éditions, Paris, France, February 2023 € 15,-
Jean Boîte Éditions, Paris, France, July 2022 € 10,-

KRISTJÁN GUDMUNDSSON, Equal-time lines, invitation In-Out Centre [1974]

KRISTJÁN GUDMUNDSSON, Equal-time lines, n.d. [1974]
29,7 x 21 cm
printed invitation, mini sticker
handwritten address by the artist
published by IN-OUT Centre, Amsterdam
rare
€ 180,- + € 12,- Track & Trace registered EU mail
inv.KG 47

In-OUT Centre was an artist’s run space. Each artist took care of his or her own printing and mailing. The copy of this invitation is handwritten by Kristján Gudmundsson who originally planned to have it sent to his home address, but for some reason it was never posted.
In a forensic sense this announcement is indirectly dated through a stamp about the anniversary of the BENELUX (1944-1974) that has been put on to it.

 

Additional information – image for comparison of KG’s handwriting:

KLAAS KLOOSTERBOER, The Rules & The Game, 2022 [catalogue]

KLAAS KLOOSTERBOER, The Rules & The Game, 2022
29,7 x 21,3 cm
SC, 32 pp., digital printing, 3 sorts of paper, sewn
first run edition 50, sale-on-demand
published by Kröller-Müller Museum, Otterlo, Netherlands, design Irma Boom
inv.KK 568-pr

This catalogue was published on behalf of Klaas Kloosterboer’s solo exhibition “The Rules & The Game” in Kröller-Müller Museum in Otterlo. This publication is apparently designed as an atmosphere experience added to the exhibition and not so much about reproductions of the works on display. This gives it the feel of an artist’s book, which is not the case.

SYLVIE FLEURY, untitled, ca 2004 [print, Contemporary edition]

SYLVIE FLEURY, untitled, ca 2004
19,8 x 21 cm
print
edition 4500
hand stamped signature, numbered in pencil
mint
rare
published by Contemporary, London, UK
inv.SF 000-pr

Contemporary was a monthly art magazine based in London, founded and edited by Keith Spencer as a quarterly publication. It re-emerged twice, the first time as Contemporary Art in 1993 and the second time again as Contemporary in 2002, but this time not limited anymore to visual arts. Once subscribed to the magazine each issue came with a print, with ink stamped signature and sometimes hand signed on sticker or just authorised with a text of origin.

ELLEN GALLAGHER, untitled, 2005 [print, Contemporary edition]

ELLEN GALLAGHER, untitled, 2005
19 x 17,3 cm
offset, verso ink stamp
edition 3000
mint
published by Contemporary, London, UK
rare
private sale
inv.EGal 335-pr

Art magazine Contemporary published the following text about Ellen Callagher. It is not clear what the image is showing, but for certain it is about a critical point of view towards Sigmund Freud with suit and tie describing a woman lying on a couch in a rather exotic dress.
‘PROFILE: ELLEN GALLAGHER
Ellen Gallagher often uses the recognisable or familiar as a means to seduce the viewer before confronting them with complex ideas that reconstruct conventional opinion. Gallagher became well known for works that subvert old-fashioned beauty advertising, from African-American magazines such as Ebony and Our World, in which she sends up the claims of the products to be a pathway to greater beauty and social acceptance. These works examine the human desire for both change and conformity and explore the symbols used to express this, the codes embedded within advertising. While these works focus on the language of beauty, the importance of symbols and codes is a recurring theme within Gallagher’s art, alongside her explorations into transformation, both as a literal subject matter and as the philosophical notion of constant adaptation and mutability.’

Contemporary, art magazine, Eliza Williams

Contemporary was a monthly art magazine based in London, founded and edited by Keith Spencer as a quarterly publication. It re-emerged twice, the first time as Contemporary Art in 1993 and the second time as Contemporary in 2002, but this time not limited anymore to visual arts. Once subscribed to the magazine each issue came with a print, with ink stamped signature and sometimes hand signed on sticker or just authorised with a text of origin.

RONI HORN, Her, Her, Her & Her, 2004 [print, Contemporary edition]

RONI HORN, Her, Her, Her & Her, 2004
19 x 19,5 cm
print
hand stamped text, numbered in pencil
edition 4500
mint
published by Contemporary, London, UK
rare
private sale
inv.RHor 326-pr

Contemporary was a monthly art magazine based in London, founded and edited by Keith Spencer as a quarterly publication. It re-emerged twice, the first time as Contemporary Art in 1993 and the second time again as Contemporary in 2002, but this time not limited anymore to visual arts. Once subscribed to the magazine each issue came with a print, with ink stamped signature and sometimes hand signed on sticker or just authorised with a text of origin.