LONE HAUGAARD MADSEN, untitled, 2011
12,4 x 17,5 cm
painted postcard on invite Galerie Gisela Capitain, Cologne (2006)
signed, dated
series of unique painting on card
published by Haubrok Edition, Berlin, Germany
€ 380,- plus € 12,- Track & Trace registered mail
inv.LHMa 978
Lone Haugaard Madsen is a Danish artist born in 1974, lives and works in Copenhagen and Vienna.
KIMBALL GUNNAR HOLTH, Tile painting: Blue, 2020
40 x 30 cm
oil paint on solid paper
signed, dated
series of 14 unique drawings
€ 300,- plus € 18,- Track & Trace registered mail
Kimball Gunnar Holth doesn’t make anything, or it should be that he found something right before it’s finished. This drawing is what his hand found painting on paper. He left it for what it is, but still gave it a title. These works come from the series ‘Tile paintings’.
Intimacy, 2020 – G o l d E d i t i o n
32 x 23 x 4,5 cm
cardboard box with magnet clam strip, 69 parts
numbered box, with extra contributions
several signed items
edition 23, here number 3 / Gold Edition
published by Cult Club, Amsterdam
order at www.multiples.nl
This box was produced in an edition of 48 copies, i.e. a Silver Edition of 25 copies and a Gold Edition box of 23 copies, the latter containing several signed items and extra contributions. Artists documented and/or participating:
MARINA ABRAMOVIĆ Role Exchange, Amsterdam, 1975
AY-O Finger Box-Kit, 1991; Ay-O in New York, n/d.
MATTHEW BARNEY Dildo, 1995
PAUL BLANCA Father & Son, 1985
TRACEY EMIN Everyone I Have Ever Slept With (The Tent), 1963-1995
VALIE EXPORT Tapp-und-Tast-Kino
KAREL GOUDSBLOM All of This, 1998
AL HANSEN anna banana clacla fluxcomix, drawing, early 1970s
DON JUAN, flyer, 1978
KIRSTEN JUSTESEN RYGSKRIVER (write on one’s back), 1985
ALISON KNOWLES Serenade for Alison (Paik), Amsterdam, 1962
BAS KOSTERS Hope Bracelet / Hope card + BAS KOSTERS TV Head Inflatable Art Doll
signed
SHIGEKO KUBOTA Vagina Painting, New York, 1965
JOHN LENNON & YOKO ONO photo: Annie Leibovitz, 1980
ANDRIES DE MAREZ OYENS Love-Stop-Touch, sticker and postcard
signed on envelope
PIERRE MOLINIER Selfportrait with dildo, 1966
CHARLOTTE MOORMAN & NAM JUNE PAIK performing Chamber Music , Asolo, 1974
OTTO MUEHL with Mrs Conz, and people living in commune Friedrichshof, ca. 1983
YOKO ONO (with ANTHONY COX), The Bag, Knokke, 1967
ORLAN L’Origine de la Guerre, 1989
WILLEM DE RIDDER SUCK nr 8 (The Last Suck), front cover, 1974 + SUCK nr 7, back cover, n.d.
NIKI DE SAINT PHALLE (with JEAN TINGUELY and PER OLOF ULTVEDT) Hon, Stockholm, 1966
CAROLEE SCHNEEMANN Interior Scroll, 1975
ANDRES SERRANO Plassex-poster, 1997
BARBARA T. SMITH Feed Me, San Francisco, 1973
ANNIE SPRINKLE Look inside: Annie Sprinkle, flyer, 1990
ANNIE SPRINKLE / BETH STEPHENS Cuddling, Athens, 2017; sticker
MARCO TIBERIO Enlarge Sanitizer Gel (bottle)
signed
TINKEBELL INTIMACY 1,2,3, three postcards, 2020
all postcards signed
ULAY / ABRAMOVIĆ Breathing in – Breathing out, Amsterdam, 1977
BEN VAUTIER Project for INTIMACY, sketch + photo Bed Event (1998), with Francesco Conz, ORLAN, Carolee Schneemann
AAT VELDHOEN Paring, Rotaprint, 1964
MAXIME C. DE WAAL Real Nature / Real Duvall, print
LUUK WILMERING A Personal Geographic. De naakten kleden, nr.7, 2010
signed
LAWRENCE WEINER, AMS Multiple, 1992
Art Meets Science
unique drawing, twice fold, ink, felt pen,
snippets of photo stat, pencil, colour pencil, collage
45,5 x 60,8 cm
signed “L.W. NY-96”, dated
splendid condition
p.o.r.
inv.LWein 403
Lawrence Weiner’s primary medium is language, often in combination with red, yellow, blue coloured signs, or in mere black and white. He is a New York and Amsterdam-based sculptor who prefers to make art that is accessible, open-ended, mutable and transferable. In the ‘Art Meets Science Multiple’ the artist skipped linguistic language completely, making this work an uncommon outspoken pictorial piece within his oeuvre.
The depicted drawing here is a draft for a new envelope as soon as the first run of 1992 is out of stock. Until today this never happened. The image on the brown envelope suggests that the multiple ought to be installed as depicted. In fact at a later stage Lawrence Weiner preferred to have the piece installed as one likes, although he did not want to have that explicitly mentioned as such.
VINH PHÚÓNG, Branche, 1991
2 x 13,7 x 2 cm
925/1000 grams silver
edition 5 + 2 AP
engraved signature, numbered, dated
published by the artist
€ 450,- plus 18,- Track & Trace registered mail
In April 1976 the first boats of refugees fleeing Vietnam sailed to various countries, heralding a series of arrivals over the next few years. Vietnamese-Dutch sculptor and painter Vinh Phúóng (born in 1959 as Nguyen Phuc Vinh Phúóng) born in Djiring, provincie Lam Dong, Vietnam was one of them. In the early nineties he had his first solo exhibition at Galerie van Gelder in Amsterdam. His motifs always have an undertone of pain and apparently urge to seek protection, together with a dark and enigmatic image making. In this context a broken tiny branche of silver suggests an expression of pain and loss, and not so much a light hearted mimicry of nature, as one may think at first sight.
SIGURDUR GUDMUNDSSON, Fjörvit, 1996
ca 41 x 29 x 4 cm
plastic bag, 7 publications, 11 photo copies (stapled)
signed
published by Nýlistasafnið, Reykjavik, Iceland
inv.SG 949-pr
Each newspaper and magazine in this bag contains an article about group exhibition called Fjörvit (trans. Clear white) organised/curated by Sigurdur Gudmundsson at Nýlistasafnið / The Living Art Museum. Participating artists: Dan Wolgers, Carsten Höller, Christene Hohenbüchler and Irene Hohenbüchler. Among the publications also a stapled stack of 11 black and white photo copies is depicting an exhibition about plants and butterflies. For some reason or other the name of that artist is not mentioned.
The backside of the translucent museum bag shows an introductory text in Icelandic by Sigurdur Gudmundsson.
MARIJKE VAN WARMERDAM, Switch, 2020
46 x 46 x 6 cm
light box, metal frame, electric power chord, plug
edition 10 + 5 AP
signed, numbered
published by More Publishers, Brussels, Belgium
mint
JOHN M ARMLEDER, Sphinx d’Or Awards, 1973
8,3 x 11 cm
6 different cards with embossed blind plate, 6 printed envelopes
published by Ecart, Geneva, Switzerland
excellent condition
extremely rare
The cards read the following texts:
The Sphinx D’Or Award 1973, Count Fanzini
Best Glossy Zine for 1973, File/Ifel General Idea, Toronto”
Best Camouflage for 1973, Dr.Brute, “Spots in Front of Your Eyes”
Best Major Work, Flakey Rose Hip, “Great Wall of 1984”
Best New Talent for 1973, Gilbert and George
Best Contribution to Art Deco in 1984, ms. Rhonda
MAURIZIO NANNUCCI, Decoding Different Directions, 1999
diameter 5,7 cm
cardboard box (6,3 x 6,7 x 6,7 cm), synthetic ball with integrated text and colour
certificate, vintage card board box, certificate, signed with initials, numbered
edition 112 + 16 AP
mint
published by Texte zur Kunst, Berlin, Germany
€ 395,- plus € 18,- Track & Trace EU registered mail
inv.MNan 940
History of prices:
Fabiani Arte, Montecatini terme, italy € 400,- 25 May 2024 (hammer price)
Dr. Andreas Sturies Moderne Kunst & Auktionen, Düsseldorf, Germany, 14 November 2020 € 200,- (hammer price)
Van Ham Kunstauktionen, Cologne, Germany, 28 June 2019 € 280,- (hammer price)
Auktionshaus Stahl, Hamburg, Germany, 15 June 2019 € 450,- (hammer price)
Dr. Andreas Sturies Moderne Kunst & Auktionen, Düsseldorf, Germany € 200,- (hammer price)
Van Ham, Cologne, Germany, April 2018 € 258,- (hammer price, not mint)
Phillips, New York, USA, 2 June 2007 US$ 480.-
BEN VAUTIER, N’importe qui peut avoir une idée [trans. Anyone can have an idea], 1993
2,3 x 12 x 3,5 cm
screen print on Opinel knife, cardboard box
mint condition
published by Musée d’Art Moderne et d’Art Contemporain, Nice, France
€ 190,- plus € 15,- Track & Trace EU registered mail
inv.BVau 933-34-pr
This edition comes with an original shop envelope of Musée d’Art Moderne et d’Art Contemporain.
A light hearted text by Ben Vautier on the cardboard box reads:
“Qui est Ben?
Je suis né le 18 Juillet 1935 à Naples de mère Irlandaise et Occitane père Suise Français. J’ai vécu en Turquie, Egypte et Grèce. J’arrive à Nice en 1949. Je cherche à faire ce qui n’a pas été fait. J’ai peur d’être un raté, j’aime les spaghetti parfois l’art m’ennui, j’ai envie d’être un arbre, je suis abonné au Monde, je perds la mémoire et ça m’embête, j’aime les extrêmes en art, j’expose un peu partout, mais ça m’angoisse, je vis actuellement à Nice avec ma femme Annie dans les collines, il ya un tilleul devant la maison, mes enfants sont grands et je perds tous mes Opinels. Ben”