SYLVIE FLEURY, untitled, ca 2004
19,8 x 21 cm
print
edition 4500
hand stamped signature, numbered in pencil
mint rare
published by Contemporary, London, UK
inv.SF 000-pr
Contemporary was a monthly art magazine based in London, founded and edited by Keith Spencer as a quarterly publication. It re-emerged twice, the first time as Contemporary Art in 1993 and the second time again as Contemporary in 2002, but this time not limited anymore to visual arts. Once subscribed to the magazine each issue came with a print, with ink stamped signature and sometimes hand signed on sticker or just authorised with a text of origin.
ELLEN GALLAGHER, untitled, 2005
19 x 17,3 cm
offset, verso ink stamp
edition 3000
mint
published by Contemporary, London, UK rare
private sale
inv.EGal 335-pr
Art magazine Contemporary published the following text about Ellen Callagher. It is not clear what the image is showing, but for certain it is about a critical point of view towards Sigmund Freud with suit and tie describing a woman lying on a couch in a rather exotic dress. ‘PROFILE: ELLEN GALLAGHER
Ellen Gallagher often uses the recognisable or familiar as a means to seduce the viewer before confronting them with complex ideas that reconstruct conventional opinion. Gallagher became well known for works that subvert old-fashioned beauty advertising, from African-American magazines such as Ebony and Our World, in which she sends up the claims of the products to be a pathway to greater beauty and social acceptance. These works examine the human desire for both change and conformity and explore the symbols used to express this, the codes embedded within advertising. While these works focus on the language of beauty, the importance of symbols and codes is a recurring theme within Gallagher’s art, alongside her explorations into transformation, both as a literal subject matter and as the philosophical notion of constant adaptation and mutability.’
Contemporary, art magazine, Eliza Williams
Contemporary was a monthly art magazine based in London, founded and edited by Keith Spencer as a quarterly publication. It re-emerged twice, the first time as Contemporary Art in 1993 and the second time as Contemporary in 2002, but this time not limited anymore to visual arts. Once subscribed to the magazine each issue came with a print, with ink stamped signature and sometimes hand signed on sticker or just authorised with a text of origin.
RONI HORN, Her, Her, Her & Her, 2004
19 x 19,5 cm
print
hand stamped text, numbered in pencil
edition 4500
mint
published by Contemporary, London, UK rare
private sale
inv.RHor 326-pr
Contemporary was a monthly art magazine based in London, founded and edited by Keith Spencer as a quarterly publication. It re-emerged twice, the first time as Contemporary Art in 1993 and the second time again as Contemporary in 2002, but this time not limited anymore to visual arts. Once subscribed to the magazine each issue came with a print, with ink stamped signature and sometimes hand signed on sticker or just authorised with a text of origin.
JOHN M ARMLEDER, invitation card ‘Six Logo’s around the carpet’, 1991
21 x 14 cm
offset
mint
published by Galerie van Gelder, Amsterdam
€ 25,- plus € 8,- Track & Trace registered EU mail
inv.JMA 000
In “Six Logo’s around the carpet” a hand woven carpet with tassels by Peter Nagy played a central role. The title of this black and white fabric is ‘Desease and Decoration’. It depicts six microscopic enlarged Aids-virus pictures used as a decoration for a carpet that was produced and distributed by Equator Productions in Brussels in Belgium. Six art works were shown on six walls.
Participating artists:
John M Armleder
Ansuya Blom
Hreinn Fridfinnsson
Kristján Gudmundsson
J.C.J. Vanderheyden
Olivier Mosset
Peter Nagy
JOHN M ARMLEDER, Black Noise, 2017
27,3 x 17,4 x 9,9 cm
32 booklets, offset, stapled, cardboard box with high gloss paper and screen print
edition 600
mint
published by Ecart Publications, Geneva, Switzerland
inv.JMA 000
SIGURDUR GUDMUNDSSON, fax pages, 1999
ca A4
photo copies of 3 sheets of fax paper,
comes with first invitation card of CEAC
published by CEAC, Xiamen, P.R. of China
inv.SG 000-pr
Sigurdur Gudmundsson writes about preparations of his exhibition in CEAC / Chinese European Art Centre in Xiamen and one in museum Het Domein in Sittard (Netherlands) scheduled in 2000.
HREINN FRIDFINNSSON, Mid-Night Jump, 1975
each ca A6
3 analogue photos, unique
condition: excellent, although toned
Collection K. van Gelder/T.K. Johansen, Amsterdam
Copyright photos: Thora K. Johansen
p.o.r.
inv.HF 000-pr
These pictures were taken by Thora Johansen during a stay with friends in a villa in Canneto Pavese at Christmas holidays in 1974. At New Year’s Eve Hreinn asked Thora to make a photo of a jump just before midnight, one on the stroke of twelve ‘o clock and one after the stroke. It was not Hreinn’s intention to make an edition of that. It had to remain ephemeral and transient, almost like a story and continue to live on as a story.
In 2018 the three A6 photos were put on the website of Galerie van Gelder for the first time ever, with click-on HRes files. All these years they were glued-in in a family photo book of Thora K. Johansen who took the pictures, and as such only privately accessible between 1975 and 2018.
On behalf of his solo exhibition at (((R))) Rozenstraat in Amsterdam in 2020 an edition was made from the original vintage prints from 1975 shown above. In 2019 digital images were taken from the website for making an edition, neither with the consent of the photographer, nor of Galerie van Gelder. For the production of this edition the reddish tone in the vintage photos was replaced by a much more blueish one. The images have been cropped, mainly at the bottom part of the photos, apparently to bring the proportions back to the double A4 standard size or perhaps for esthetic reasons.
Added information:
HREINN FRIDFINNSSON, Mid-Night Jump, 2019
each 42 x 29,7 cm
digital C-prints
edition 3 + 1 AP
History of prices:
Meese Gallery, Brussels, Belgium March 2024 € 15.000 – € 20.000,-
Galleri Claes Nordenhake, Berlin, Germany June 2022 € 12.500,-
KRISTJAN GUDMUNDSSON, poster, 1972
27,9 x 21,8 cm
print
published by Galerie 845, Amsterdam
condition: pin holes, aged paper, missing tiny paper parts at top corners, folded for mailing as issued extremely rare
Collection K. van Gelder, Amsterdam
inv.KG 000-pr
HETTY HUISMAN, “Een brief aan Pyth, dus niet aan Jan en Klaas”, n.d., postal stamp 1984
10,4 x 14,8 cm
offset
published by Time Based Arts, Amsterdam
inv.HHui 000-pr