ENDRE TÓT, Very Special Drawings, 1981 [artist’s book, signed]

ENDRE TÓT, Very Special Drawings, 1981
15,1 x 10 cm
SC, offset, printed in black and white, 7 pages in red
edition 600
signed
condition excellent
published by Reiner Verlag, Berlin, Germany
€ 165,- plus € 12,- Track & Trace registered EU mail
inv.ETót 88

The strikethrough of the artist’s portrait at the beginning of the book is part of the page in print. Although, a special edition of 20 copies was published with a handmade drawing, apart from the regular edition.

THOMAS SCHMIT, Erster Entwurf, 1989 [signed + ink drawing]

THOMAS SCHMIT, Erster Entwurf, 1989
20.5 x 15 cm
SC, 118 pp., artist’s book, offset, German language
edition 1600
here verso: signed in initials with hand written additions and small ink drawing
published by the artist (Selbstverlag)
€ 65,- plus € 12,- Track & Trace registred EU mail
inv.TSch 000-pr

‘Erster Entwurf’ of Thomas Schmit’s is an artist’s book about phenomenology in which perception and physics playfully alternate, here and there in a literal manner. Thoughts and ideas on construction are never far away. The last page of the book reads:

“ich nehme wahr
ich nehme dies wahr
ich nehme wahr dass ich dies wahrnehme
ich nehm wahr dass ich wahrnehme”

(Trans. i perceive
i perceive this
i perceive that I perceive this
i perceive that I perceive)

 

The spine of the book shows an acrostichon:

KEVIN OSBORN, Real Lush, 1981 [artist’s book, signed]

KEVIN OSBORN, Real Lush, 1981
9,6 x 16,7 x 5 cm
artist’s book, two bolts binding
here signed and dedicated
edition 200
mint
Private collection, Amsterdam
€ 85,- plus € 18,- Track & Trace registered EU mail
inv.KOsb 668-pr

Usually the semi-hard cover of this out of shape book is molested due to trying to go through the pages. Indeed, technically it is a difficult book to read; therefore it is wise to unscrew the bolts at the back of the book and start reading while carefully putting the loose pages back on the bolts.
A copy is in the collection of Walker Art Center Library, Minneapolis, MN, USA.

“Real Lush is composed of 35 signatures, each of which is made up of nine leaves. The right-hand pages carry the narrative, the left-hand pages bear a sequence of nine related, apparently topographical images, repeated throughout the book with minor variations in a central episode. Every signature in the book carries a set of nine images, printed in a silvery gray, which give the book a recurring rhythm and over which are printed other images. The first page of every signature bears an outlined human figure simply drawn according to a system of proportion. In the bottom left corner of the first, third, fifth, seventh, and ninth pages of each signature are small drawings of male heads representing different racial types. In the bottom right corner of each page are two small figures, apparently ancient Egyptian and Nubian, wrestling. In each signature they start vertically and finish horizontally. If one flips the pages of Real Lush, the wrestling figures are constantly falling only to rise again, and they thus contribute to the overall rhythm. In addition, there is another sequence demonstrating the bandaging and unbandaging of a hand. All of these sequences literally underlie, signature by signature, the images subsequently printed over them, to generate the heartbeat of the book.”
Clive Phillpot
Director of The Museum of Modern Art Library, New York, USA

Ref. Artforum, Clive Phillpot, director of the Library, The Museum of Modern Art, New York, USA Real Lush May 1982

LOUWRIEN WIJERS, Art sprouts as a bloom, 1972 [edition, signed]

LOUWRIEN WIJERS, Art sprouts as a bloom, 1972
20.5 x 20.x x 1.5 cm
letterpress, paper, cardboard, 4 loose pieces of cardboard, 1 introduction page in Dutch on thin paper, rope
here signed
published by the artist / Steendrukkerij de Jong & Co, Hilversum, Netherlands
Private collection, Amsterdam
inv.LWij 000-pr

“I am offering this printed matter tonight to those attending the concert organized by Frans de Jong and Henk de Hoog. I describe what I believe is art and practicing art.”
…..
“I wrote this piece several months ago out of a need to put into words my inner feelings about art and being an artist. It describes in a broad sense the interaction between art and life. I then printed that paper and sent it to a number of people. Frans de Jong suggested publishing it again on behalf of this evening. He himself made this second edition in his printing house.” Louwrien Wijers, 14 April 1972

 

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