MARIJKE VAN WARMERDAM
Upside down, 2008
27 x 40 cm
recto and verso: photo on di-bond, wooden shelf
edition 10
published by the artist
Coll. K. van Gelder, Amsterdam
‘Capturing part of a landscape in a mirror I’m holding is very close to photography. In this case I got a swan inverted in my mirror,’ Marijke van Warmerdam says. An identical photo is pasted upside down on the reverse side. When the panel is turned around, the image initially seems virtually unchanged.
MARIJKE VAN WARMERDAM, In and out, 2006
66 x 100 cm
photo print on black mirror, dibond
edition 5 + 1 AP
published by World House Editions, Middlebury, Connecticut, USA
p.o.r.
“Nature decides the fate of an apple that falls from a tree. Here it falls either on the embankment or in the ditch”. Marijke van Warmerdam, 2011
Quote from catalogue ‘Close by in the distance’, published by Museum Boijmans van Beuningen, Rotterdam.
RONI HORN, Untitled (To Nest), 2001
framed: 46 x 66 cm / 26 x 18 inches
unframed: 40 x 61 cm / 16 x 26 inches
digital ink jet print
edition of 100
verso: signed, dated, numbered
not available
Horn is best known for introducing the personal to minimalist sculpture. Horn’s photographs function somewhere between empirical record and various kinds of repetition of that record. For her, the camera is more than simply a means of transcribing the surface detail and texture of things.
History of prices:
Counter Editions, London, England € 1.100,- / GBP 885.- September 2012
MYNE SØE-PEDERSEN, Airmail from Venice, 2000
each ca 10,6 x 13,2 cm
4 x 5″ analogue hand cut photo prints, envelope (11,3 x 16,1 cm), sticker
edition of ca 8
published by the artist
€ 140,- plus € 8,- Track & Trace EU registered mail
inv.MSP317-MSP318
‘Airmail from Venice’ is a series of prints coming from unexposed 4″ x 5″ negatives sent by airmail from Venice to Amsterdam in September 2000.
I was on holidays in Venice for a week. Every day I sent a letter to my address in Amsterdam where I used to live at the time.
Each negative had an exposure time of three to four days. After the delivery the result of the mailing by air came out when the
prints were developed in the dark room. says Myne Søe-Pedersen.
DAVID HORVITZ, Take a photograph of your head inside a freezer, 2009
images on internet
On April 6, 2009, New York-based artist David Horvitz posted a picture of himself with his head in a freezer on his Flickr account and invited readers to participate in his DIY work.
Untitled, 2000
photo, aluminium
60 x 60 cm, edition of 5 + 2 EA
published by Galerie van Gelder, Amsterdam, Netherlands
GILBERT & GEORGE, As used by the sculptors, 1973
14,7 x 10,5 cm
postcard
signed (recto)
pubished by Hôtel Carlton Palace, Paris, France
rare
perfect condition
€ 295,- plus € 15,- Track & Trace registered mail
inv.G&G 000
The signature is done with ballpoint at the lower part of the postcard. From a certain angle when the ink reflects the light one clearly detects the signature. This rather ephemeral handwriting makes the image undisturbed, and therefore very powerful.
Signature in detail:
ANN VERONICA JANSSENS, Fosfenen / Phosphènes, ca 1998
11,7 x 17,6 cm
black and white photo
verso: sticker with instructions in Dutch and French
condition: recto partly discolored due to aging of glue on sticker (verso)
edition unknown
published by the artist
€ 85,- plus € 12,- Track & Trace registered EU mail
inv.LWij 000
This hand out is meant as an instruction for experiencing phosphenes created by putting pressure on one’s eye lids. As a result the eyeballs under pressure will show “colored and glittering geometric patterns on the retina”, as the label on the reverse tells.
Mechanical Reproduction, 1994
14,8 x 10,5 cm
artists: HENRY BOND & LIAM GILLICK, SYLVIE FLEURY, RICHARD HAWKINS, ARNOLD MOSSELMAN and WOLFGANG TILLMANS
17 machine produced photos, 2 pages with text, transparant celluloid cover, 20 pp.
hand numbered
edition 50
extremely rare
published by Galerie van Gelder, Amsterdam
€ 1.500,- plus € 18,- Track & Trace registered mail
Published on behalf of exhibition ‘Een goed in de weg staande tafel’ / “A table absolutely standing in the way” in Galerie van Gelder in 1994, curator Jack Jaeger.
STEVEN PARRINO, Untitled, 1992
ca 70 x 100 cm
analogue photo
edition 5, certificate of authenticity
published by Galerie van Gelder, Amsterdam