SIGMAR POLKE, Ohne Titel (Kuss, Kuss), 1965
14,8 x 10,5 cm
offset, postcard
here signed
mint
published by Gebr. König Postkartenverlag, Cologne, Germany
€ 240,- plus € 12,- Track & Trace registered EU mail
inv.SPolk 727-pr
SIGMAR POLKE, Ohne Titel (Kuss, Kuss), 1965
14,8 x 10,5 cm
offset, postcard
here signed
mint
published by Gebr. König Postkartenverlag, Cologne, Germany
€ 240,- plus € 12,- Track & Trace registered EU mail
inv.SPolk 727-pr
SIGMAR POLKE, Ohne Titel, 1994
14,8 x 10,5 cm
offset postcard
signed
mint
published by Gebr. König Postkartenverlag, Cologne, Germany
€ 240,- plus € 12,- Track & Trace registered EU mail
inv.SPolk 726-pr
SIEGFRIED CREMER, Winkelbild, 1978
16,2 x 32 cm
catalogue, SC, offset, Lümbeck binding
recto-verso embossing on couver
incl. pencil drawing (15 x 31 cm), nr. 20
recto and verso signed, dated
published by Galerie Lutz, Stuttgart, Germany
Private collection, Amsterdam
inv.SCre 000-pr
LOUWRIEN WIJERS, Kookboek voor natuurvoeding en makrobiotiek (deel 1), 2011
43 x 30 cm
photo copy, marker
signed and dated in print
inv.LWij 553-pr
JCJ VANDERHEYDEN, letter, n.d. [1999]
21 x 29,7 cm
photo copy, ink pen
Privécollectie, Amsterdam
inv.JCJ 420-pr
LOUWRIEN WIJERS, Art sprouts as a bloom, 1972
20.5 x 20.x x 1.5 cm
letterpress, paper, cardboard, 4 loose pieces of cardboard, 1 introduction page in Dutch on thin paper, rope
here signed
published by the artist / Steendrukkerij de Jong & Co, Hilversum, Netherlands
Private collection, Amsterdam
inv.LWij 000-pr
“I am offering this printed matter tonight to those attending the concert organized by Frans de Jong and Henk de Hoog. I describe what I believe is art and practicing art.”
…..
“I wrote this piece several months ago out of a need to put into words my inner feelings about art and being an artist. It describes in a broad sense the interaction between art and life. I then printed that paper and sent it to a number of people. Frans de Jong suggested publishing it again on behalf of this evening. He himself made this second edition in his printing house.” Louwrien Wijers, 14 April 1972
page 1:
page 4:
GUGLIELMO ACHILLE CAVELLINI, n.d. [ca 1975]
29,7 x 22,8 cm
offset
published by the artist
condition: poor
inv.GAC 772-pr
In the early seventies Mail artist Guglielmo Achille Cavellini predicts his death in 2014, and in 1971 he describes his work being part of a large retrospective at the Ducale Palace, Venice. This becomes part of the artist’s autostoricizzazione; self-historifisation. He loved the Italian flag tricolors and used them in his work. He created the “Cavellini sticker” always in red, white and green that bore the dates of the fast approaching Cavellini Centennial: 1914-2014. The above print shows his home-made self-historification, completed with the colours of the Italian flag.
DAAN VAN GOLDEN, two statements, 1987
29,7 x 21 cm
photo copies, stapled, 7 pp.
signed in print
inv.DvG 000-pr
Two statements by Daan van Golden about his work:
1.
Attempts to visualize the mystery.
2.
Visualisation of the concept of time.
JOSEPH BEUYS, Werke aus Münchener Sammlungen, 1981
10,5 x 29,5 cm (opened)
invitation, folded card
signed
splendid condition
published by Städtische Galerie im Lenbachhaus, Munich, Germany
€ 200,- plus € 12,- Track & Trace registered EU mail
inv.JBeu 709-pr
The depicted ‘bonbons’ on this card is an installation described as “Ohne Titel, 1963-’66, made of gelatin, wax and transformer parts”.
History of price:
eBay, Duitsland, September 2019 € 280,- (oder Preisvorschlag)
GILBERT & GEORGE, Six Plants, n.d. [ca 1986]
27,4 x 20,9 cm
book page, offset
signed
condition splendid
inv.G&G 682-pr
verso: