SARAH MORRIS, Marcel Gem [Clip], 2011
23.6 x 23.6 inches
screenprint
edition 60
produced by White Cube, London, UK
This print is based on a painting from the artist’s Clips series in which she has used the motifs of standard office stationary, in particular the paper clip, to make abstract and complex images using a bold palette of colours.
History of price:
White Cube, London GBP 1,200.- December 2012
FRED TOMASELLI, Nov. 11, 2010
38 x 40,7 cm / 14 15/16 x 16 inches
silkscreen, inkjet print
edition 80
published by White Cube, London, UK
Other example of newspaper print: July 5, 2012 (Study), 2012
History of price:
White Cube, London, UK € 1.025,- / GBP 840.- September 2012
FRED TOMASELLI, Bloom, 2011
35,6 x 30,5 cm / 14 x 12 inches
screen print on archival inkjet print
signed, numbered
edition 200
mint condition
€ 780,- plus € 24,- Track & Trace registered mail
published by I.C. Editions, New York, USA
Fred Tomaselli makes psychodelic works through decorative bright colours. The negative photographic base on which a colorful pattern is laid creates a radiating oval black and white halo. The result is eye catching and hypnotic.
History of prices:
Adam Baumgold Gallery, New York, USA US$ 1,100.- (make offer) August 2021
Vallot Auctioneers, New York, USA US$ 600.- (hammer price) 6 August 2019
I.C. Editions, New York, USA US$ 350.- November 2012
MARIJKE VAN WARMERDAM, Gestreken en gevouwen, 2011
59,4 x 84,1 cm; folded 29,7 x 21 cm
offset print, 120 g/m2
signed and numbered on certificate, edition 100 + 7 A.P.
published by More Publishers, Brussels, Belgium
inv.MvW 04-024
Repetition is one of the favorite strategies Marijke van Warmerdam applies in her films, photo works and objects. Here a work depicts an ironed and folded handkerchief on poster, which in turn is folded as a poster.
BRIDGET RILEY, Rose, Rose, 2011
76 x 60 cm
12 colour screen print on 300 gsm Somerset White Satin paper
edition of 250
signed, numbered, dated
published by Counter Editions, London, UK
sold out
Bridget Riley is celebrated for her optically vibrant paintings. By manipulating relationships between black and white, colours and shapes, she creates illusions of movement and light. For the Olympic Games 2011 in London she made ‘Rose, Rose’. Riley has arranged colours in horizontal stripes, indicating the direction of athletic tracks or swimming lanes, it is said, but where originates the title of this print?
History of prices:
Counter Editions, London, UK € 3.750,- / GBP 3,000.- October 2012
Counter Editions, London, UK € 4.150,- / GBP 3,700.- September 2016
MARIJKE VAN WARMERDAM, Another day, 2011
each 110 x 80 cm
series of 50 unique screen prints, aluminum, framed
With a typically light touch, the work of Marijke van Warmerdam combines a deceptively naïve approach to the act of seeing with straightforward strategies, such as dramatic shifts of scale, doubling, reflection, rhythmic repetition or surprising juxtapositions to urge us to look with our eyes wide open.
In her film loops she depicts perfectly ordinary situations and actions, although factually always staged, with the deliberate use of compositional elements that create an open and unanticipated perspective. In her sculptures, photographic works and paintings, Van Warmerdam is not afraid of using cinematic and visual methods based on animated strategies. In the course of more than two decades she has made a refreshing contribution to the phenomenon of looking.
JEFF KOONS, Garage Tattoo, 2011 [Lobster]
15 x 10 cm
offset transfer print
edition unknown
part of a set of 5 transfer tattoos by John Baldessari, Dinos Chapman, Damien Hirst, Jeff Koons and Raymond Pettibon
published by Garage Magazine, Moscow, Russia – New York, USA
JOHN BALDESSARI, I will not wear any more boring tattoos. 2011
15 x 10 cm, offset transfer print
edition unknown
part of set of 5 transfer tattoos by John Baldessari, Dinos Chapman, Damien Hirst, Jeff Koons and Raymond Pettibon
published by Garage Magazine, Moscow, Russia – New York, USA
€ 145,- + € 15,- Track & Trace registered EU mail
inv.JBal 000-pr
Garage Art-Tattoo sticker, recto:
LAWRENCE WEINER, Water finds its own level, 2011
29,9 x 35,5 cm / 11 x 14 inches
archival print
edition 500
signed with initials, numbered on certificate, here nr. 6/500
published by Jen Bekman Projects, New York, USA
mint
€ 150,- plus € 18,- Track & Trace registered EU mail
for purchase first visit: https://20×200.com/products/lawrence-weiner-water-finds-its-own-level
LAWRENCE WEINER – certificate of Water finds its own level, 2011
In December 2009, the New York City Council voted to require business owners to replace garage-style security gates with ones that allow views into the stores behind them by July 2026. Art Production Fund united 18 artists to make murals on security gate doors of shop in the Bowery. These were on view for two months, after which they were painted over, embodying the upcoming legislated disappearance of the gates across the city of New York.
This edition was published in 5 sizes: 8 x 10 inch, 11 x 124 inch, 16 x 20 inch, 24 x 30 inch and 30 x 40 inch.
LAWRENCE WEINER, Water finds its own level, 2010
paint on metal shop security gate, New York City, USA
History of price:
D.R. Fine Arts, New York, USA, December 2022 US$ 400.- (8 x 10 inches)
20 x 200, New York, USA October 2022 US$ 150.-
20 x 200, New York, USA December 2021 US$ 75.-
!–The Archive is Limited, Amsterdam December 2022 € 125,–>
RAYMOND PETTIBON, Garage Tattoo, 2011
15 x 10 cm
offset transfer print
edition unknown
part of a set of 5 transfer tattoos by John Baldessari, Dinos Chapman, Damien Hirst, Jeff Koons and Raymond Pettibon
published by Garage Magazine, Moscow, Russia – New York, USA
€ 145,- + € 15,- Track & Trace registered EU mail
inv.RPat 000-pr