MARIJKE VAN WARMERDAM, pin, 2025
17 x 15 x 5 cm
16 mm celluloid, film ‘Skytypers’, wood, paint, metal
series of ca 30 unique pins, hand-made by the artist
On behalf of Eye on Art – Artists Talk at Eye in Amsterdam on 11 March 2025, 30 speakers were invited to throw a light on each of the presented film loops. In gratitude for the personal lectures – one and a half minute each – of technicians, experts and friends, Marijke presented them with a pin. The used 16 mm celluloid clipping is taken from her film “Skytypers”. A tiny orange ball at the end of the gold spray painted pin refers to a series of film loops on oranges she is working on now.
KRISTJAN GUDMUNDSSON, 200 pages on Barnett Newman, 2001
24,5 x 27,2 x 3 cm
SC, 200 pp., MC paper signed, numbered
edition 100
mint
published by Silverpress, Reykjavik, Iceland
inv.KG 000
This book has sculptural characteristics, due to its concept and heavy weight. The 200 pages of the book correspond to the total surface of Barnett Newman’s painting ‘Who is Afraid of Yellow, Red and Blue I’ (1966), oil paint on canvas measuring 190 x 122 cm. It includes the exact ratio of the three colors of the painting. When you hold this book in your hands, you have the entire surface of the canvas in your hands.
ROB SCHOLTE, Untitled [zakdoek], ca 2006
41 x 41 cm
fabric, cardboard, aluminum frame
verso authenticated
out of a series of 20 unique works
published by the artist
p.o.r.
ANSELM KIEFER, Watercolours 1970 – 1982, 1983
29 x 33,6 cm
HC, linen bound, 90 pp., unpaginated, 32 illustrations
signed, numbered 272
edition 850
condition: couver slightly scuffed on left part, inside splendid
published by Anthony d’Offay, London, UK
€ 200,- plus € 18,- Track & Trace registered EU mail
inv.AKie 000-pr
pages 17, 19 and 21:
History of prices:
Amazon-brookb, Brooklyn, New York, USA March 2025 US$ 510.- (aged couver)
Walgenbach Art & Books, Rotterdam, Netherlands March 2025 € 485
Zwiggelaar Auctions, Amsterdam 23 June 2023 € 460,- (hammer price)
Lost & Found, invitation, 3 juli [2009]
21 x 14,8 cm
card
creased for easy folding
published by Stichting Lost & Found, Amsterdam
€ 50,- plus € 8,- Track & Trace registered EU mail
inv.L&F 000-pr
For this event on 3 July 2009 the following artists made selections for the evening: Constant Dullaart, Katja Mater, Julia van Mourik.
Lost & Found, 1997 – 2018
various sizes and printing techniques
numerous invitation cards and posters in folders extremely rare as a collection
all published by Stichting Lost & Found, Amsterdam
inv.L&F 000-pr
It is unclear whether this collection is complete, but for a very large part it certainly is.
Invitation card, 2009:
Lost & Found, 2009
23 x 17,8 cm
invitation card
published by Stichting Lost & Found, Amsterdam
YANN SÉRANDOUR, How…, 2019
ca 25 x 10 x 5 cm
bleached cow bone, engraved text, white linen bag, chord
edition 4 + 2 AP
certificate, signed, numbered
published by More Publishers, Quenast, Belgium
According to the publisher (mail 08-02-2025), this work is related to an edition in which Yann Sérandour included a found book on dog training called “How to train your dog”.
Additional information
“L’Enseigne [How to Train Your Dog]” is an edition (8 + 4 AP) from 2015. It is unclear why this was added to a book cassette with a picture of French Rococo painter Antoine Watteau who is known for his hunting and love scenes.
PATTI SMITH, Seventh Heaven, 1979
18 x 12 cm
SC, 48 pp.
uncommon, i.e. this 1979 version with different type font
excellent condition
published by Expanded Media Editions, Göttingen, Germany
€ 45,- plus € 12,- Track & Trace registered EU mail
inv.PSm 855-pr
The photo on the front was taken by Robert Mapplethorpe.
This book contains all 22 poems, including Patti’s tributes to Edie Sedgwick and Marianne Faithfull.
A separate version (paperback, 48 pp.) was published by Expanded Media Editions, Bonn, Germany in 1979. See image above.
Additional information
The first publication from 1972 included 50 signed and numbered copies.
History of price:
2e Hands-ebbo, Belgium, February 2025 € 75,-
ROSEMARIE TROCKEL, Ex Voto Platte, 2000
28 x 28 x 0,8 cm
screen print, cellular rubber, self-adhesive circular die-cut
incl. original wrapping with protection sheets
blue version: edition 50 + 5 AP
signed, numbered 33/50 mint
published by Texte zur Kunst, Berlin, Germany
€ 475,- plus € 12,- Track & Trace registered EU mail
inv.RTr 854-pr
Rosemarie Trockel photographed a hot plate and printed it on a thick layer of cellular rubber, as a small object. There is a self-adhesive sticker on the back so that the owner can determine the background himself. Instead of framing the work, it can be mounted on a wall or window and thus become part of an interior.
There are 3 colour versions: yellow, blue and white. Each colour version has an edition of 50 plus 5 AP.
verso:
History of prices:
AaG Auktionshaus am Grunewald, Berlin, Germany, 21 September 2024 € 550,- (hammer price)
Van Ham Kunstauktionen, Cologne, Germany, 14 March 2024 € 500 (hammer price)
Phillips, London, UK, 11 June 2015 GBP 313.- (hammer price)
FRANCK BRAGIGAND, Garbage in order to…, 1999
invitation cards in 6 different colours
each 10.1 x 15 cm
offset
mint
published by Galerie van Gelder, Amsterdam
€ 35,- plus € 12 Track & Trace registered EU mail
inv.FBr 000-pr
Franck Bragigand has made two working methods he devised an essential part of his work. A visitor can approach him at any time with, for example, a chair or cupboard and ask to have it painted. The object taken can be painted monochrome or each surface is given a separate color using his method of ‘un plan, une couleur’, as he calls it. In the latter case, there is more work and the asking price is higher. After the painting method has been determined, a price is agreed. The 6-part invitation card from 1999 is printed in both monochrome and ‘each area, one color’. KvG
Additional information
FRANCK BRAGIGAND: PSS (Public Street Sculpture), 1999
The title of the exhibition “Garbage in order to…” refers to a recycling method. Franck Bragigand found all kinds of objects in the garbage on the street, which he cleaned, sanded, painted and exhibited as brand new in the gallery.
After the exhibition, the objects were thoughtfully placed back on the street – almost like an installation. The ‘consumer’ could take the originally discarded rubbish from the street back into his home, varnished and well. Bragigand brings street waste or second-hand goods back into circulation through various systems. KvG
